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WWW.MY-SUBS.CO

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And now, a short introduction from
the producers' legal representative,

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Mr Abe Appenheimer.

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Hello, and welcome to this documentary

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containing new and exclusive interviews

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with the five surviving members
of Monty Python.

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The producers wish to make it clear
that any opinions expressed herein

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are those of the individuals speaking
and hold no truth whatsoever.

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Pursuant, therefore, to clause 46 of the
Broadcasting, Video, Television Act, 1989,

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subsection 4, 3 and 2, clause...

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..subject to clause 4.123,

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no viewer or watcher
may copy, repeat, impersonate, mime,

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either contextually or noncontextually,

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any material whatsoever in any public place,

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such as a street, pub, club, hotel, oil rig,
Baptist church...

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Python

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The brand-new documentary of Python

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lt's a new documentary

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lt's about Monty Python

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Unlike other Monty Python documentaries

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This is brand-new

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lt's a new documentary

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lt's not complimentary

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But it's better than a hysterectomy

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lt's Monty

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Python

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Meanwhile, how glad and grateful is Britain

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that thousands have fought their way out
and come home.

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And are they glad to be back again?

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Well, they'll tell you
that after what they've been seeing,

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England looks all right.

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- You glad to be back, boys?
- Sure!

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England was in black-and-white
after the war,

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and until about 1959, l think,
we had rationing.

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l remember we didn't have enough.

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We had butter rations, you can have
a piece of butter a week,

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and bread rationing and meat rationing.

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London was completely composed
of holes and bomb sites,

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and it was a sort of
grey duffel-coat-wearing,

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very respectable, everybody
talked in received English...

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''Good evening, this is the BBC,
and here is the news.''

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On the radio, the news announcers
wore black tie to read the news.

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So it was that kind
of unnecessarily uptight place.

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l think l had quite a happy childhood.

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My poor old dad gets quite a bad press,

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cos l've mentioned him being
a bit cantankerous.

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Apart from his slight cantankerousness,

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he was a fond father, he quite liked jokes,

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he liked practical jokes a lot.

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ln fact, l've still got a fake dog turd
that he bought me.

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l mean, how many people's fathers
would buy their sons a dog turd?

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''You've got into Oxford. Here's a turd.''

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My mother, she was terrific, my mum.
She was absolutely great.

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And she was more encouraging
what l wanted to do.

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My father was obsessed with money,
or rather, the lack of it,

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and worried that l might follow
my sister's progress into acting.

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He just didn't want that, he just said...
he felt that was the way to rack and ruin,

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whereas my mother, l think, understood
a little bit of my interest in performing.

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My relationship with my father was...

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lt was...always at one remove,
in a way, because...

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l think he must have seen me
when l was a few days old,

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but he was in the RAF, up in Scotland.

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Then he was shipped off to lndia,
and spent the war in lndia,

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so he never saw me again
until l was four and a half.

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And l can remember going down
to Colwyn Bay railway station

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and walking up the steps
with my mum and my brother

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and standing on the platform,

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and then my mother getting terribly anxious
that he wasn't there.

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Suddenly, as the crowds vanished,
there was a man in a forage cap

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and a kit bag, a big kit bag,
at the end of the platform.

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And that was my dad.
And so he kisses my mum and my brother,

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and then he kisses me,
and he's got a moustache!

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l'd never been kissed by anybody
with a moustache before.

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So l've always been...
l've always had horrors

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about being kissed
by men in moustaches ever since!

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Graham, as a policeman's son,

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had had a very good,
solid family background,

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but l think, because life was tough
when he was growing up,

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and for a country copper during the war,
it was a very busy time.

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There was not a lot of time for the children
while they were growing up.

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And l think Graham actually missed

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a really warm and supportive atmosphere.

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Minneapolis, Minnesota,

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Minnesota being the furthest north state
in America, probably the most middle.

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So we're in the middle and at the top.

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We lived in a little summer cottage
out in a place called Medicine Lake

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that my dad had put insulation in
so we could get through these winters.

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But it was some years before
we got an indoor toilet.

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So l think the memory of my childhood
is one that is really odd,

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because l can remember it, but l can't feel it,

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was going out in the middle of winter
for a dump

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in the biffy, as they were known.

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And l don't know how we did that,
there was no heating, nothing,

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you just sat there on a wooden plank
with a hole,

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and did your business,
then you came back in.

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lt was a decent world there,

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and l was part of that decent world,
with a decent family,

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and we would go to church on Sunday,
and we would go to youth camps.

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And, at least in school,
and particularly in high school,

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the emphasis was on science and maths,

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you know, we were engineering
for a new future in America.

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l was in the Boy Scouts. l did all the things
that you were supposed to do.

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My dad was born Reginald Francis Cheese,

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his dad was John Edwin Cheese.

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He stayed a Cheese until 1915,

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when he joined the army
and he changed the name to Cleese.

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l don't know why,
cos when l went to school,

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l was always called Old Cheese,
it made no difference at all.

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But anyway, he was the only Cleese.

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l went to the Weston-super-Mare post office

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and in the phone books,
there was no Cleese.

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lt's not a proper name of any kind.

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And as a result of that, when he married
my mother, there were two Cleeses,

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when l came along, there were three.

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l'm tempted to change it back to Cheese,

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cos l think it's a splendid name,
and my American friends call me Jack,

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l could be Jack Cheese,
which is a great name for a comedian.

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l think that l had, from what l can figure out,

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rather than from what l can remember,

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a very difficult early relationship
with my mother

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that was compensated for,
more than compensated for,

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by a very warm, very affectionate,
very loving relationship with my father.

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But with both of them, there was
a good comedic connection.

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My mother l could connect with

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because she had a very black
sense of humour, believe it or not.

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And l could make her laugh
with black humour.

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And Dad was much more witty.

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l remember watching a particularly inane
dance routine with him on television once,

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and he said, ''l don't think this
will ever replace entertainment, do you?''

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l remember thinking, it's a beautiful phrase.

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The interesting thing about the Pythons
is we didn't have TV

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until we were teenagers, we were the last
generation to grow up with radio.

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l was an avid listener to radio shows

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like Take lt From Here.

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Before that, Jewel and Warriss, Hancock,

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all sorts of radio shows,

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and then later, when l was about 13, 1 4,
the Goon Show.

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The Goons were very important as being,
not just their comedy,

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but the fact that they were the first people
to really use radio.

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The whole point of radio is that you can
conjure up anything you like.

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lt was that week that Nugent Dirt
was taken to court by his wife.

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Silence in court! Silence!

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The court will now stand
for Judge Schnorrer.

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And if you'll stand for him,
you'll stand for anything.

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The Goons can take you anywhere.

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So can any... All form of radio is in
the imagination and creates all that.

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l think that was significant for us.

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Here came a show which was
not like any of the other shows.

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lt didn't have the same kind of rules,
or any rules.

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lt didn't even like the medium
that was putting it out.

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lt didn't like the BBC. Wonderful!

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There was something that l could relate to.

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This is the BBC Home Service.

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Thank you.

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l was introduced to the Goons
when l was about 1 1 , 12 years old.

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And l just remember discovering this
strange, odd, weird and wonderful show

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that was so different from anything
you could see on a film, or on television.

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And l became almost obsessed with them.

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l used to listen to the show,

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and then, two nights later,
l would listen to the repeat,

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because l wanted to catch everything,

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and there was so much laughter,
you couldn't hear certain lines.

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l used to lie on the bed with the radio there
and a pillow on my ear,

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just to try and get the line
that l'd missed two days before.

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The Phantom Head Shaver of Brighton,
Part Three.

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By now, the position was serious.

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All told, 300 men had been balded
by the Phantom.

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l mean, listening to the Goon Show
on Sunday lunch time

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was a ritual in our family.

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Come out, Phantom Head Shaver,
you're surrounded! You hear?

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We're all heavily armed.
lf you don't come, we'll come to the door,

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and so help me, we'll knock!

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Yeah! That's telling him, yeah!

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lf you don't come out,
we'll come and we'll knock!

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- Shut up!
- Shut up!

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There was nothing like these people
just being very ridiculous and silly

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and strange voices,
and long pauses and, you know,

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playing around with this whole
sort of form of radio show

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in a way that felt genuinely
kind of subversive at the time.

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- Bluebottle?
- l heard you call, my Captain.

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l heard my little ragged Captain call me.

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Enter Bluebottle.
Pauses for audience applause.

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As usual, not a sausage.

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At the same time, my parents were listening
to mainstream stuff,

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like Much-Binding-in-the-Marsh,
and Take lt From Here,

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which were the sort of shows
which we all sat and listened to together,

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that was what bound the family together.

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So l'd be listening to those, whilst
at the same time, on whenever it was,

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Tuesday night or something, having my own
fix of this new show, the Goons.

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l don't know what my folks wanted me to be.

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l can remember one day some man l'd met
insisting on walking me home

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and telling my parents that l ought
to become a dentist.

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Well, thank God, l never did.

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l thought, ''What a terrible idea.''

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Dad was very keen that l should join
Grace, Derbyshire and Todd,

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a firm of chartered accountants
on Whiteladies Road,

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and l remember he said to me,
''My boy, if you join them,

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''by the time you're 21 , you will have
the initials ACA after your name,

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''and the world will be your oyster.''

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ln other words, he was, in a sense,
very petit bourgeois.

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My father wanted me to get a good job
and make a lot of money,

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so l wouldn't be dependent on him.

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l don't think he had any idea
of what he wanted me to do.

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He just had a lot of ideas of what
he didn't want me to do,

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which was mainly, sort of, acting and
performing, writing, all that sort of stuff.

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And he sent me away to public school,
Shrewsbury,

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which had a good reputation,
l think he felt, ''They'll sort him out there.''

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One of Michael's great talents,

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which was perfectly easily arrived at,

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was, sort of, taking off
the character of the masters.

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Michael had a natural way of drawing
their character out,

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their little mannerisms.

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From quite early on,
l could entertain people, in a small way.

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And l remember, in 1953,
when it was the time of the Coronation,

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l would do an improvised little show
at milk break in the morning,

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at 1 1 o'clock, for anyone that wanted
to come, in this tiny room,

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and l'd play all the different characters,
and it was all very silly and low-level,

217
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but it was things like, you know,
the Duke of Edinburgh being caught short,

218
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during the actual Coronation,
looking round

219
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and having to fish out a toilet roll.

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Oh, it was funny when l was ten!

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Growing up in Wolverhampton,
that's not something anybody did -

222
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trying to escape is what you did.

223
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lt was a miserable fucking place,

224
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but l was abandoned there
about the age of seven, in a playground,

225
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and my mum left, thinking it would be nicer

226
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if she just slipped away,
rather than say goodbye,

227
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so l hadn't got it that l was going to stay,

228
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l knew we'd taken the suitcase,
it had all my names on it,

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on the underwear and six pairs of socks,

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but l hadn't got the concept,

231
00:14:23,367 --> 00:14:25,801
''Wait, wait, no, l'm ready to leave now.''

232
00:14:25,847 --> 00:14:28,202
Too late. So that was a bummer.

233
00:14:28,247 --> 00:14:31,000
The Royal Wolverhampton School
is based on the fact

234
00:14:31,047 --> 00:14:34,119
that you must have lost
one or other of your parents.

235
00:14:34,167 --> 00:14:38,558
ln Eric's case, his father,
who was in the RAF and was air crew,

236
00:14:38,607 --> 00:14:40,802
went all through the war,
and then, l think,

237
00:14:40,847 --> 00:14:43,236
within 12 months of taking a civilian job,

238
00:14:43,287 --> 00:14:46,643
died in a road crash
on the way home from work.

239
00:14:46,687 --> 00:14:49,804
There's hundreds of memories,
mainly nightmares.

240
00:14:49,847 --> 00:14:53,760
l was there from seven.
l didn't escape till l was 19.

241
00:14:53,807 --> 00:14:56,275
You escape into, you know, various things.

242
00:14:56,327 --> 00:15:00,366
l was in a little skiffle group.
First of all, l played harmonica.

243
00:15:00,407 --> 00:15:04,036
We identified with the black slave
movement in America,

244
00:15:04,087 --> 00:15:07,204
because we felt like we were oppressed.

245
00:15:07,247 --> 00:15:10,125
And l was once in a drama.

246
00:15:11,047 --> 00:15:14,437
l played Second Fieldmouse
in Toad Of Toad Hall.

247
00:15:15,887 --> 00:15:19,766
Which... l was offered the part
of First Fieldmouse,

248
00:15:19,807 --> 00:15:22,605
but l realised that Second Fieldmouse
had more words,

249
00:15:22,647 --> 00:15:24,444
so l held out for that part.

250
00:15:24,487 --> 00:15:27,797
His headmaster at that time
was Owen Dickinson.

251
00:15:27,847 --> 00:15:31,886
And Owen always said,
''ldle by name, idle by nature.''

252
00:15:31,927 --> 00:15:34,441
This idle bastard left that school

253
00:15:34,487 --> 00:15:39,845
with ten O levels,
three A levels and two S levels, so...

254
00:15:39,887 --> 00:15:42,355
and going to Cambridge on a scholarship,

255
00:15:42,407 --> 00:15:44,796
so not quite so fuckin' idle!

256
00:15:47,447 --> 00:15:50,837
High school, you know,
l did all the right things there.

257
00:15:50,887 --> 00:15:53,481
l didn't actually know
l was doing the right things.

258
00:15:53,527 --> 00:15:57,281
Most things come to me as surprises,
because l ended up...

259
00:15:57,327 --> 00:16:01,002
by the end of it, l was student
body president, valedictorian,

260
00:16:01,047 --> 00:16:03,766
head cheerleader, it was crazy,
l don't know how it happened,

261
00:16:03,807 --> 00:16:06,560
because l never applied myself
for any of these things,

262
00:16:06,607 --> 00:16:08,518
they just kind of happened around me.

263
00:16:08,567 --> 00:16:11,798
There was a thing in the '50s,
you got inundated

264
00:16:11,847 --> 00:16:14,281
with all this right-wing material.

265
00:16:14,327 --> 00:16:19,276
But anti-communism seemed to go
hand-in-hand with racial discrimination,

266
00:16:19,327 --> 00:16:22,399
so you'd get all these pictures
of black guys being lynched,

267
00:16:22,447 --> 00:16:25,086
because they'd been seen
talking to a white girl.

268
00:16:25,127 --> 00:16:27,482
This was the right thing, in America.

269
00:16:27,527 --> 00:16:30,837
You had the Ku Klux Klan
and the anti-communists

270
00:16:30,887 --> 00:16:34,436
inundating every
student body leader at the time.

271
00:16:34,487 --> 00:16:38,765
l was just shocked by it,
l thought it was horrifying, awful stuff.

272
00:16:38,807 --> 00:16:43,164
On one hand, you had drag racing,
and cool things like in American Graffiti,

273
00:16:43,207 --> 00:16:46,358
on the other hand, you had
this undercurrent of the Klan

274
00:16:46,407 --> 00:16:48,841
and the right-wingers.

275
00:16:58,167 --> 00:17:00,203
We did feel in the early '60s

276
00:17:00,247 --> 00:17:04,638
that life was changing
and that we'd never go back.

277
00:17:05,527 --> 00:17:08,644
You felt that religion was
becoming a bit of a dodo

278
00:17:09,727 --> 00:17:13,276
and that people were questioning
religious authority

279
00:17:13,327 --> 00:17:16,956
as well as class authority,
as well as any kind of authority.

280
00:17:17,007 --> 00:17:21,398
The most significant moment
in my life was when, 1962,

281
00:17:21,447 --> 00:17:24,883
l was down in London
and we went to see Beyond The Fringe,

282
00:17:24,927 --> 00:17:27,839
and we couldn't get tickets,
only standing tickets,

283
00:17:27,887 --> 00:17:31,402
which l was so grateful for,
cos l just rolled around the wall,

284
00:17:31,447 --> 00:17:33,403
l wouldn't have stayed in a seat.

285
00:17:33,447 --> 00:17:35,039
They made me laugh so hard,

286
00:17:35,087 --> 00:17:38,523
Peter Cook, Alan Bennett,
Jonathan Miller and Dudley Moore.

287
00:17:38,567 --> 00:17:41,525
l didn't realise you could be that funny.

288
00:17:41,567 --> 00:17:45,446
lsn't that fantastic?
Children under ten, twelve-and-six.

289
00:17:54,247 --> 00:17:56,158
That's very cheap, you know?

290
00:17:56,207 --> 00:18:00,359
l agree. lt's very cheap.
l think they're probably imported.

291
00:18:01,527 --> 00:18:04,121
- Probably frozen, l should think.
- Or foreign.

292
00:18:04,167 --> 00:18:08,604
Foreign or frozen. You wouldn't get
local children at that price.

293
00:18:08,647 --> 00:18:11,081
l wonder how they prepare them.

294
00:18:11,127 --> 00:18:15,598
l shouldn't think they do.
l should think they spring it on them.

295
00:18:16,607 --> 00:18:21,761
The influence of Peter could hardly,
hardly be exaggerated,

296
00:18:21,807 --> 00:18:27,723
cos this was a guy who'd had, l think,
two separate West End revues running,

297
00:18:27,767 --> 00:18:30,804
totally his material,
while he was still at Cambridge.

298
00:18:30,847 --> 00:18:34,476
l mean, they were so brilliant,
and they attacked everything

299
00:18:34,527 --> 00:18:37,280
that l'd just spent 19 years
being oppressed by.

300
00:18:37,327 --> 00:18:41,286
Royalty, police, authorities, teachers,

301
00:18:41,327 --> 00:18:46,924
every single authority figure was
completely pilloried and destroyed.

302
00:18:46,967 --> 00:18:48,923
And that just... My life just changed.

303
00:18:48,967 --> 00:18:52,164
Peter Cook playing Harold Macmillan
on the stage.

304
00:18:52,207 --> 00:18:56,120
Macmillan came to the show one night,
and Peter goes right off the script

305
00:18:56,167 --> 00:18:58,840
and starts talking, as Macmillan,
to Macmillan.

306
00:18:58,887 --> 00:19:00,798
People said, ''He's playing
the Prime Minister!''

307
00:19:00,847 --> 00:19:03,156
lt sounds quaint now,
because everybody does.

308
00:19:03,207 --> 00:19:05,641
The government had been in power
13 years,

309
00:19:05,687 --> 00:19:08,247
and the slogan was,
''You've never had it so good.''

310
00:19:08,287 --> 00:19:11,757
And so when Peter Cook
did Harold Macmillan on stage,

311
00:19:11,807 --> 00:19:15,959
he completely made them a figure of fun
and redundant,

312
00:19:16,007 --> 00:19:20,319
and not up-to-date, and it was no longer
possible to take them seriously.

313
00:19:20,367 --> 00:19:24,440
And l think that satire, occasionally,
can do things like that.

314
00:19:24,487 --> 00:19:29,117
We shall receive four minutes' warning
of any impending nuclear attack.

315
00:19:29,167 --> 00:19:31,078
Some people said,
''My goodness me,

316
00:19:31,127 --> 00:19:33,436
''four minutes, that's not a very long time.''

317
00:19:33,487 --> 00:19:37,366
l would remind those doubters that
some people in this great country of ours

318
00:19:37,407 --> 00:19:39,796
can run a mile in four minutes.

319
00:19:40,767 --> 00:19:44,077
And the government was thrown out
and then Harold Wilson came,

320
00:19:44,127 --> 00:19:46,960
smoking his pipe,
and there were satire shows on telly,

321
00:19:47,007 --> 00:19:53,640
and the whole loosening of...
the way of being of England was changed.

322
00:19:53,687 --> 00:19:57,726
We went from this almost
1950s deferential society

323
00:19:57,767 --> 00:20:01,521
to a society where, suddenly,
people were making jokes about the Queen

324
00:20:01,567 --> 00:20:03,876
and the Prime Minister
and this kind of thing,

325
00:20:03,927 --> 00:20:07,363
it was a completely different atmosphere,
an enormous release of energy.

326
00:20:08,167 --> 00:20:11,204
College was a wonderful time,
it was Occidental College,

327
00:20:11,247 --> 00:20:12,805
very classy little college.

328
00:20:12,847 --> 00:20:16,556
Kids tended to be rich there,
or smart, like l was.

329
00:20:16,607 --> 00:20:19,883
l was there on a scholarship,
a Presbyterian scholarship,

330
00:20:19,927 --> 00:20:21,440
l went on a church scholarship

331
00:20:21,487 --> 00:20:24,160
because at one point,
l was going to be a missionary,

332
00:20:24,207 --> 00:20:25,481
and then l got smart.

333
00:20:25,527 --> 00:20:29,486
At that time, in America,
there was a magazine called Help!

334
00:20:29,527 --> 00:20:32,439
Harvey Kurtzman, who was the guy
that began Mad comics,

335
00:20:32,487 --> 00:20:36,560
was the idol of all of us, of my generation,
the cartoonists, anyway.

336
00:20:36,607 --> 00:20:41,158
l was doing this magazine and
l started emulating Help! with Fang.

337
00:20:41,207 --> 00:20:44,165
He wanted to take over the magazine
and he had all these plans,

338
00:20:44,207 --> 00:20:46,437
it was going to be four issues
instead of two

339
00:20:46,487 --> 00:20:51,003
and it was going to be this, that...
l don't know if he had a budget.

340
00:20:51,047 --> 00:20:53,800
Fang magazine lost money all the time,

341
00:20:53,847 --> 00:20:57,886
and Terry said,
''We can make a change on that.''

342
00:20:57,927 --> 00:21:00,487
This is the very first edition.

343
00:21:00,527 --> 00:21:03,803
That was one of his last-minute cartoons.

344
00:21:03,847 --> 00:21:07,203
There wasn't time for him
to do it in pen and ink, so this is pencil,

345
00:21:07,247 --> 00:21:10,842
so he was disappointed
that it didn't come out better than it did.

346
00:21:10,887 --> 00:21:13,355
Before Terry took it over,
it was pretty boring.

347
00:21:13,407 --> 00:21:17,241
lt was poetry, and a few cartoons,

348
00:21:17,287 --> 00:21:20,723
and essays and things like that.

349
00:21:20,767 --> 00:21:24,646
Terry wanted to transform it
into something exciting

350
00:21:24,687 --> 00:21:27,042
and really do something with it.

351
00:21:27,087 --> 00:21:29,885
One thing we did,
which l suppose is the beginning

352
00:21:29,927 --> 00:21:33,044
of what eventually became
either animation or film for me,

353
00:21:33,087 --> 00:21:38,480
was we would do fumetti, which basically
is ltalian for little puffs of smoke.

354
00:21:38,527 --> 00:21:42,805
And Help! magazine was doing these
and we started doing them in our magazine.

355
00:21:42,847 --> 00:21:46,442
We'd go out and you'd find locations,
you would cast the parts,

356
00:21:46,487 --> 00:21:49,923
you'd get costumes and you'd go
and shoot these little photographs

357
00:21:49,967 --> 00:21:52,720
that tell a story, and then put bubbles.

358
00:21:52,767 --> 00:21:57,477
We just generally used the magazine
to cause mayhem wherever possible,

359
00:21:57,527 --> 00:22:01,520
because one thing about the university was
it was quite a conservative place.

360
00:22:01,567 --> 00:22:05,116
So our job was to dismantle all of that
as quickly as possible.

361
00:22:05,647 --> 00:22:10,004
On graduation, the dean,
when handing me my diploma,

362
00:22:10,047 --> 00:22:13,437
said, ''Gilliam, you deserve
a good spanking.''

363
00:22:13,487 --> 00:22:15,717
l don't know what he really meant, really.

364
00:22:17,567 --> 00:22:21,685
l first met Graham
when we came up as freshers

365
00:22:21,727 --> 00:22:25,686
to Emmanuel College in 1959.

366
00:22:25,727 --> 00:22:28,116
Graham was doing
an undergraduate course

367
00:22:28,167 --> 00:22:32,126
in anatomy, physiology,
biochemistry and pathology,

368
00:22:32,167 --> 00:22:37,241
prior to going to do three clinical years
in a London medical college.

369
00:22:37,287 --> 00:22:40,757
l think, because it seemed the simplest
course for me at the time.

370
00:22:42,327 --> 00:22:45,637
Writing essays and doing
anything artistic in school

371
00:22:45,687 --> 00:22:47,837
for me, called for a little more effort.

372
00:22:47,887 --> 00:22:51,960
Whereas anything to do with science
meant l had to learn things,

373
00:22:52,007 --> 00:22:54,362
and l was reasonably good
at learning things.

374
00:22:54,407 --> 00:22:57,717
l didn't have to create anything.
So it seemed simpler to do that.

375
00:22:57,767 --> 00:22:59,439
l was a little afraid of creating.

376
00:22:59,487 --> 00:23:02,081
l think it's a good training ground
for anything.

377
00:23:02,127 --> 00:23:06,359
You meet all sorts of people,
naturally, in very strange predicaments.

378
00:23:06,407 --> 00:23:09,683
And you do strange things to them
sometimes.

379
00:23:09,727 --> 00:23:12,799
He was also eccentric and rather zany,

380
00:23:12,847 --> 00:23:14,485
and he liked to entertain.

381
00:23:14,527 --> 00:23:17,963
We always had the feeling that he liked
to entertain almost a bit...

382
00:23:18,007 --> 00:23:20,646
He showed off, almost, a little bit.

383
00:23:20,687 --> 00:23:23,520
But he was very amusing,
he would lie down in the road,

384
00:23:23,567 --> 00:23:29,119
smoking his pipe, and refuse to get up
when the cars couldn't get by.

385
00:23:29,167 --> 00:23:30,919
Things like that.

386
00:23:32,567 --> 00:23:35,843
l first met John in 1961 .

387
00:23:35,887 --> 00:23:38,845
He'd come up as a freshman
in 1960 from Clifton.

388
00:23:38,887 --> 00:23:42,721
l supervised him in 1962, 1963.

389
00:23:42,767 --> 00:23:45,839
Oh, John was an admirable,
excellent lawyer.

390
00:23:45,887 --> 00:23:48,799
And l'm bound to say it's
a loss to the legal profession

391
00:23:48,847 --> 00:23:51,042
that he didn't qualify as a lawyer.

392
00:23:51,087 --> 00:23:54,477
l can just see him at the bar,
which he never joined,

393
00:23:54,527 --> 00:23:58,645
and then one could equally see him
being elevated to judicial office,

394
00:23:58,687 --> 00:24:00,359
which he never aspired to.

395
00:24:00,407 --> 00:24:03,205
l didn't really enjoy Oxford that much.

396
00:24:03,247 --> 00:24:05,203
l found it a bit daunting, l think.

397
00:24:05,247 --> 00:24:07,522
l sort of liked saying hello to people.

398
00:24:07,567 --> 00:24:10,400
You'd say hello to somebody
and they'd just brush past.

399
00:24:10,447 --> 00:24:14,963
lt was also daunting cos you thought,
''Oxford! Everybody's going to be so bright.

400
00:24:15,007 --> 00:24:17,475
''They're going to be
so much cleverer than me.''

401
00:24:17,527 --> 00:24:20,997
And then you gradually
realise it's all an illusion,

402
00:24:21,047 --> 00:24:23,117
nobody's cleverer
than anybody else.

403
00:24:23,167 --> 00:24:25,397
When Michael got up to Oxford

404
00:24:25,447 --> 00:24:29,122
l think he was very certain
that he wanted to act

405
00:24:29,167 --> 00:24:31,044
and wanted to do revue.

406
00:24:31,087 --> 00:24:36,400
And he teamed up with another
Brasenose chap called Robert Hewison

407
00:24:36,447 --> 00:24:39,359
and they made a very good early team.

408
00:24:39,407 --> 00:24:43,559
l first met Michael Palin
in the autumn of 1962

409
00:24:43,607 --> 00:24:46,724
when l went up to Brasenose College,
Oxford.

410
00:24:46,767 --> 00:24:51,966
And it just so happened that Michael Palin
was at the same college,

411
00:24:52,007 --> 00:24:55,044
and he was reading the same subject,
which was history.

412
00:24:55,087 --> 00:24:59,603
l was really bluffing my way
through university,

413
00:24:59,647 --> 00:25:02,559
telling my parents l was studying,
and l was studying,

414
00:25:02,607 --> 00:25:04,359
but l used to study in the evening,

415
00:25:04,407 --> 00:25:07,797
and during the day, l was...we were writing,

416
00:25:07,847 --> 00:25:09,678
we were doing cabaret shows,

417
00:25:09,727 --> 00:25:12,480
putting together
30 minutes' worth of material.

418
00:25:12,527 --> 00:25:15,280
Thanks to Robert.
l wouldn't have done this myself.

419
00:25:15,327 --> 00:25:17,283
l didn't know what cabaret was, really.

420
00:25:17,327 --> 00:25:20,683
l thought it was something rather naughty,
involving ladies...

421
00:25:20,727 --> 00:25:23,161
and suspenders and stockings and all that.

422
00:25:23,207 --> 00:25:26,119
But he said, ''No, cabaret,
it's just performing.

423
00:25:26,167 --> 00:25:30,445
''lf we can put together half an hour's
worth of jokes, we can make some money.''

424
00:25:30,487 --> 00:25:33,843
Robert drew me more
into this theatrical world.

425
00:25:33,887 --> 00:25:37,402
And Terry was in a different college,
but he was doing theatre.

426
00:25:37,447 --> 00:25:40,564
And l remember this dark, intense figure

427
00:25:40,607 --> 00:25:42,438
with a cigarette, then, l think,

428
00:25:42,487 --> 00:25:45,797
and a very old coat
which he wore all the time.

429
00:25:45,847 --> 00:25:50,967
Terry, in those days,
wore this brown lumpy overcoat,

430
00:25:51,007 --> 00:25:58,595
and rode a Vespa, you know, kind of
Lambretta type little motorcycle thing.

431
00:25:58,647 --> 00:26:00,842
- Terry was very cool at the time.
- Really?

432
00:26:00,887 --> 00:26:07,565
Yeah, he was very cool. He had that sort of
dark, kind of Surrey-Welsh look

433
00:26:08,567 --> 00:26:11,923
of someone who clearly was
not sure where he fitted in.

434
00:26:11,967 --> 00:26:13,446
lt was kind of mysterious.

435
00:26:13,487 --> 00:26:17,560
And it took me quite a long time
to realise that actually,

436
00:26:17,607 --> 00:26:20,485
A, he was a very good actor,
very talented actor,

437
00:26:20,527 --> 00:26:24,042
and B, he was actually
a very, very funny man.

438
00:26:24,087 --> 00:26:27,238
Robert was very pushy
at getting us to do anything.

439
00:26:27,287 --> 00:26:28,879
- Yeah.
- lt was great.

440
00:26:28,927 --> 00:26:31,122
Without him pushing along,

441
00:26:31,167 --> 00:26:33,965
l don't think
l'd probably be doing what l'm doing now.

442
00:26:34,007 --> 00:26:38,159
l suppose, from then on,
we were sort of aware

443
00:26:38,207 --> 00:26:42,758
that all three of us liked
writing and performing,

444
00:26:42,807 --> 00:26:45,640
but particularly writing
as well as the performing.

445
00:26:45,687 --> 00:26:49,043
And l think that some of the first work
l did with Terry

446
00:26:49,087 --> 00:26:52,159
was not acting with him
so much as writing with him.

447
00:26:52,207 --> 00:26:57,076
There's a difference between Oxford
and Cambridge in creating comedy.

448
00:26:57,127 --> 00:27:00,676
And that is that Cambridge, typically,
because it's, l think,

449
00:27:00,727 --> 00:27:03,287
a slightly more scientific university,

450
00:27:03,327 --> 00:27:07,400
had a pretty scientific way
of producing comedians,

451
00:27:07,447 --> 00:27:12,680
this thing called the Footlights Club
which goes back to 1882.

452
00:27:12,727 --> 00:27:17,562
Well, it was an exclusive little club,
really, at the time.

453
00:27:17,607 --> 00:27:21,202
lt only had about 25 student,
or undergraduate members,

454
00:27:21,247 --> 00:27:23,477
as they're called in Cambridge.

455
00:27:23,527 --> 00:27:28,965
And you had to be asked
by a member of the club,

456
00:27:29,007 --> 00:27:31,919
a current member, to do an audition.

457
00:27:31,967 --> 00:27:37,485
And then you did an audition
at what they called a smoking concert.

458
00:27:38,407 --> 00:27:41,877
And on the basis of that,
if you got enough laughs,

459
00:27:41,927 --> 00:27:43,406
you were asked to join.

460
00:27:43,447 --> 00:27:46,007
l auditioned for Bill Oddie
and Tim Brooke-Taylor.

461
00:27:46,047 --> 00:27:49,483
And they had the good wit
and grace and talent to discover me,

462
00:27:49,527 --> 00:27:53,122
and put me in a Pembroke smoking concert.

463
00:27:53,167 --> 00:27:56,682
And the first piece of material l did
was written by John Cleese.

464
00:27:56,727 --> 00:28:00,242
And Cleese couldn't be in the show,
cos he was in Fitzwilliam,

465
00:28:00,287 --> 00:28:03,962
or one of those little gay universities,
l don't know what they're called.

466
00:28:04,007 --> 00:28:06,885
So he couldn't be in it,
so the first time l met him,

467
00:28:06,927 --> 00:28:09,760
l'd just performed a piece of his material,

468
00:28:09,807 --> 00:28:12,480
which was a piece called BBC BC,

469
00:28:12,527 --> 00:28:16,440
it was the BBC giving the news,
the Old Testament news,

470
00:28:16,487 --> 00:28:17,840
and l did the weather.

471
00:28:17,887 --> 00:28:21,038
There'll be a plague of locusts
coming in from the northeast,

472
00:28:21,087 --> 00:28:24,716
followed by frogs
and death of all the first-born.

473
00:28:24,767 --> 00:28:26,041
Sorry about that, Egypt.

474
00:28:26,087 --> 00:28:29,124
The great thing about the Footlights
was that we had a club room.

475
00:28:29,167 --> 00:28:32,045
The Oxford guys didn't.
lf they wanted to put a show on,

476
00:28:32,087 --> 00:28:35,966
they had to hire a hall and hire a stage

477
00:28:36,007 --> 00:28:38,077
and make curtains work, and find lights.

478
00:28:38,127 --> 00:28:39,116
We had all that.

479
00:28:39,167 --> 00:28:41,317
We had our own bar. lt was fantastic.

480
00:28:41,367 --> 00:28:45,042
When everybody else had to go to bed
cos the pubs were closing at 10:30,

481
00:28:45,087 --> 00:28:46,645
we went down the Footlights.

482
00:28:46,687 --> 00:28:49,201
''What'll you have, sir?''
Two or three in the morning,

483
00:28:49,247 --> 00:28:53,877
we could drink as long as we wanted to,
there was lunches catered for.

484
00:28:53,927 --> 00:28:56,487
You could live entirely
through the Footlights.

485
00:28:56,527 --> 00:29:00,725
Producing Oxford comedians
was a much more accidental,

486
00:29:00,767 --> 00:29:03,964
casual, organic way of doing things.

487
00:29:04,007 --> 00:29:06,646
There was a kind of loose organisation,

488
00:29:07,607 --> 00:29:13,204
not nearly as organised as the Footlights,
but basically...for the same end,

489
00:29:13,247 --> 00:29:17,160
which was to produce a revue
for the Edinburgh Festival.

490
00:29:17,207 --> 00:29:20,722
l'd met Eric ldle in Edinburgh,
when he was doing...

491
00:29:20,767 --> 00:29:23,486
l think they did a revue
called My Girl Herbert,

492
00:29:23,527 --> 00:29:26,166
and l knew that John Cleese was around,

493
00:29:26,207 --> 00:29:29,597
because l'd written a monologue
which l did in revue in 1964,

494
00:29:29,647 --> 00:29:34,277
which was...turned out to be almost identical
to something that John had written.

495
00:29:34,327 --> 00:29:35,999
And we'd never collaborated.

496
00:29:36,047 --> 00:29:39,596
Graham and l met auditioning

497
00:29:39,647 --> 00:29:44,846
for the Footlights revue
that would have been 1961 .

498
00:29:44,887 --> 00:29:49,517
And we went out afterwards together
and sat down and had a coffee.

499
00:29:49,567 --> 00:29:55,085
And the extraordinary thing is,
l thought, ''l don't like this guy.''

500
00:29:56,527 --> 00:30:00,486
And then shortly after, we started
writing together on a regular basis.

501
00:30:00,527 --> 00:30:04,202
l must have completely forgotten
this intuition that l didn't like him.

502
00:30:04,247 --> 00:30:05,282
lsn't that strange?

503
00:30:05,327 --> 00:30:07,602
The first time l ever saw John and Graham

504
00:30:07,647 --> 00:30:11,162
was actually in their revue
at Wyndham's Theatre.

505
00:30:11,207 --> 00:30:13,118
l went along to a matinee.

506
00:30:13,167 --> 00:30:15,806
Graham didn't seem like a performer at all.

507
00:30:15,847 --> 00:30:18,998
lt was like he'd wandered on,
and was just sort of on stage

508
00:30:19,047 --> 00:30:21,242
and was wondering why he was there.

509
00:30:21,287 --> 00:30:23,926
''Well, l suppose l must be acting,
l suppose.''

510
00:30:23,967 --> 00:30:25,878
And then he'd wander off again.

511
00:30:25,927 --> 00:30:28,202
We went to see our rivals,
the Oxford Revue,

512
00:30:28,247 --> 00:30:30,238
and Terry Jones was in that.

513
00:30:30,287 --> 00:30:33,962
And that was nice, and then
we met them and hooked up,

514
00:30:34,007 --> 00:30:36,237
and, you know, the Oxford-Cambridge...

515
00:30:36,287 --> 00:30:39,836
And a year later, l met Michael Palin,

516
00:30:39,887 --> 00:30:42,526
also in Edinburgh, in Cambridge '64.

517
00:30:42,567 --> 00:30:46,196
And he was really something
to watch on stage,

518
00:30:46,247 --> 00:30:49,398
and clearly really special.

519
00:30:49,447 --> 00:30:51,085
Was it love at first sight?

520
00:30:51,127 --> 00:30:54,324
Or did we just fancy each other secretly,
and across a crowded room,

521
00:30:54,367 --> 00:30:57,279
wait for another 1 4 or 1 7 years to pass?

522
00:30:57,327 --> 00:30:59,795
lt... You know...

523
00:30:59,847 --> 00:31:04,796
lt was... There's a recognition when
you see somebody doing something good.

524
00:31:04,847 --> 00:31:08,601
Watching Terry Jones on stage,
it was clear that he was good.

525
00:31:08,647 --> 00:31:11,002
And it was clear he was good in the revue,

526
00:31:11,047 --> 00:31:13,083
and it was clear Michael was good.

527
00:31:13,127 --> 00:31:16,119
Cleese, of course, was outstanding.

528
00:31:16,167 --> 00:31:19,443
l mean, to see Cleese on stage in 1963,

529
00:31:19,487 --> 00:31:21,284
everybody else was being funny.

530
00:31:21,327 --> 00:31:24,842
Cleese was being serious,
and that was so funny.

531
00:31:24,887 --> 00:31:28,243
l mean, he was the only one
who never broke character,

532
00:31:28,287 --> 00:31:30,596
never indicated to you he was being funny,

533
00:31:31,167 --> 00:31:34,955
and he was head and shoulders,
and that's not just height, above the rest.

534
00:31:35,007 --> 00:31:39,125
lt was when we were in Edinburgh,
doing that show,

535
00:31:39,167 --> 00:31:43,240
in the hall that we'd hired from
the Parks and Burials Department

536
00:31:43,287 --> 00:31:45,960
of Edinburgh Council,
that l suddenly realised,

537
00:31:46,007 --> 00:31:51,161
''This is something l would really quite like
to do, after l leave university,

538
00:31:51,207 --> 00:31:54,517
''there's a slim, slim possibility
l might do this as a career.

539
00:31:54,567 --> 00:31:57,525
''l'm making people laugh,
we've got full houses every night,

540
00:31:57,567 --> 00:31:59,842
''we've written the stuff,
we've performed it.''

541
00:31:59,887 --> 00:32:02,845
But the problem was my parents,
my father particularly,

542
00:32:02,887 --> 00:32:06,846
l couldn't go back and say, ''l've decided
to go on the stage and entertain.''

543
00:32:06,887 --> 00:32:08,798
He would have just had a fit.

544
00:32:08,847 --> 00:32:12,203
Well, when l left Cambridge in '63
and was going to be a solicitor,

545
00:32:12,247 --> 00:32:14,715
with Freshfields,
solicitors to the Bank of England,

546
00:32:14,767 --> 00:32:18,555
l told them that l was going into
show business...

547
00:32:18,607 --> 00:32:21,326
l didn't say that,
l said, ''l'm joining the BBC.''

548
00:32:21,367 --> 00:32:26,646
And that was OK, because the BBC
was the same as the Civil Service.

549
00:32:26,687 --> 00:32:31,920
lt was respectable, you got a pension,

550
00:32:31,967 --> 00:32:36,199
you had financial security, and that was fine.

551
00:32:36,247 --> 00:32:40,320
Terry actually had a salaried job
at the Beeb, didn't you? ln '66?

552
00:32:40,367 --> 00:32:43,803
- Yeah. Yeah. l don't know...
- Script editor?

553
00:32:43,847 --> 00:32:48,079
l don't know what l was doing.
lt's one of those mysteries in life.

554
00:32:48,127 --> 00:32:52,166
l'd just accepted a job,
l'd been down for about a year.

555
00:32:52,207 --> 00:32:54,641
Suddenly, Frank Muir's office rang up.

556
00:32:54,687 --> 00:32:57,759
So l went along to Frank Muir's office
in the BBC,

557
00:32:57,807 --> 00:33:01,959
and he said, ''We'll give you a job,
for £20 a week,''

558
00:33:02,007 --> 00:33:04,521
which was a huge amount of money,
it seemed like.

559
00:33:04,567 --> 00:33:07,684
And so l had this job,
but l didn't know what it was.

560
00:33:07,727 --> 00:33:11,436
He said, ''Well, you can just have
a look around, see what's happening.''

561
00:33:11,487 --> 00:33:14,047
And l had two tables, two typewriters,

562
00:33:14,087 --> 00:33:17,159
four telephones, and no idea
what l was meant to be doing.

563
00:33:17,207 --> 00:33:19,243
- So you were doing that.
- Then you...

564
00:33:19,287 --> 00:33:21,164
l was doing a pop show.

565
00:33:21,207 --> 00:33:24,517
l was hosting a pop show on TWW,

566
00:33:24,567 --> 00:33:26,603
in Bristol, actually, where we're going.

567
00:33:31,327 --> 00:33:36,162
l have to thank that programme,
now, for keeping me going,

568
00:33:36,207 --> 00:33:41,839
and for me, being able to tell my parents,
my father particularly,

569
00:33:41,887 --> 00:33:44,117
that l was working in Bristol.

570
00:33:44,167 --> 00:33:46,203
''Oh, who's that for?''
''Television.''

571
00:33:46,247 --> 00:33:48,078
''Ah, BBC. Jolly good.''

572
00:33:48,127 --> 00:33:49,719
''Well, no, not the BBC.

573
00:33:49,767 --> 00:33:53,601
''lt's one of the many
local independent companies.''

574
00:33:53,647 --> 00:33:57,356
lf he'd actually seen what was going on,
he might have been a bit upset.

575
00:33:57,407 --> 00:34:00,365
But it gave me the chance,
the cover, as it were,

576
00:34:00,407 --> 00:34:03,126
to develop a lot of other interests and ideas.

577
00:34:03,167 --> 00:34:05,158
So l was able, during that time,

578
00:34:05,207 --> 00:34:07,926
thanks to the money
from this one show called Now,

579
00:34:07,967 --> 00:34:12,961
to start writing with Terry Jones at the BBC.

580
00:34:13,847 --> 00:34:17,283
Graham telephoned me one evening,

581
00:34:17,327 --> 00:34:19,795
and said he wanted a chat.

582
00:34:19,847 --> 00:34:22,919
The reason he wanted
to see me was because

583
00:34:22,967 --> 00:34:28,166
he had qualified in medicine,
but he had to make a choice.

584
00:34:28,207 --> 00:34:31,165
The choice was whether or not
to do a houseman's year,

585
00:34:31,207 --> 00:34:35,485
an intern year in hospital, and become
registered with the General Medical Council,

586
00:34:35,527 --> 00:34:40,885
or whether Graham would go to lbiza
and write sketches with John Cleese.

587
00:34:40,927 --> 00:34:42,918
He chose to go to lbiza,

588
00:34:42,967 --> 00:34:45,879
and l'm sure, for him,
that was the right choice.

589
00:34:45,927 --> 00:34:48,964
Terry decided that, after he graduated,

590
00:34:49,007 --> 00:34:51,919
that he wanted us to keep doing
what we were doing,

591
00:34:51,967 --> 00:34:56,119
we could make some money selling stuff
to Harvey Kurtzman's magazine.

592
00:34:56,167 --> 00:34:59,603
So he decided he was going
to go to New York

593
00:34:59,647 --> 00:35:02,480
and find Harvey Kurtzman,
who was our idol.

594
00:35:02,527 --> 00:35:06,156
So l came to New York and managed
to have a meeting with him,

595
00:35:06,207 --> 00:35:08,277
l walked in, it was the Algonquin Hotel.

596
00:35:08,327 --> 00:35:11,478
He wasn't there, but it was full
of all my favourite cartoonists,

597
00:35:11,527 --> 00:35:14,837
all the people that had worked for Mad
and were now working for Harvey.

598
00:35:14,887 --> 00:35:17,401
These were my gods,
and they were all in the room,

599
00:35:17,447 --> 00:35:20,280
and Harvey turns up a little bit later,

600
00:35:20,327 --> 00:35:24,878
and Chuck Alverson, who was the
assistant editor at that time, was quitting,

601
00:35:24,927 --> 00:35:28,124
and they needed somebody to take his job
and that was me.

602
00:35:28,167 --> 00:35:30,442
l just walked into the job out of nowhere.

603
00:35:30,487 --> 00:35:35,880
And that was when he came back,
at the beginning of my senior year,

604
00:35:35,927 --> 00:35:39,681
and sat down in the dorm
and told us that he had gotten a job,

605
00:35:39,727 --> 00:35:42,082
working for Harvey Kurtzman.

606
00:35:42,127 --> 00:35:45,244
You know, which to me
was just like, you know,

607
00:35:45,287 --> 00:35:46,845
ascending Mount Olympus

608
00:35:46,887 --> 00:35:50,596
and getting a job working for Zeus,
or something like that!

609
00:35:50,647 --> 00:35:56,040
lt was, like, unthinkable that people like us
could be doing things like that,

610
00:35:56,087 --> 00:35:58,601
but Terry just saw, ''Yeah, we can do that.''

611
00:35:58,647 --> 00:36:02,925
Help! magazine, in that sense,
was the beginning of my connection

612
00:36:02,967 --> 00:36:06,516
with what would become Python,
because we had written a story

613
00:36:06,567 --> 00:36:09,843
about a man who falls in love
with his daughter's Barbie doll.

614
00:36:09,887 --> 00:36:13,675
About that time, Terry and l
went to Greenwich Village

615
00:36:13,727 --> 00:36:17,800
to see this show that had opened
called Cambridge Circus.

616
00:36:17,847 --> 00:36:21,283
lt was playing in Greenwich Village,
it was comedy from England,

617
00:36:21,327 --> 00:36:25,479
and it was supposed to be really funny,
so we went, and it was hilarious.

618
00:36:25,527 --> 00:36:29,281
And there was this guy in the show
named John Cleese.

619
00:36:29,327 --> 00:36:35,197
Terry met me and he said, basically,
''l like the faces you pull.''

620
00:36:35,247 --> 00:36:39,525
Which is very, very complimentary.
People used to say it to Laurence Olivier.

621
00:36:39,567 --> 00:36:42,604
''You know, Sir Larry,
love the faces you pull.''

622
00:36:42,647 --> 00:36:46,435
John, of course, stood out
in every possible way from the crowd,

623
00:36:46,487 --> 00:36:51,322
and l got him to appear in this,
and that was the beginning of a friendship.

624
00:36:51,367 --> 00:36:55,246
And so when Terry, later on,
wound up in England,

625
00:36:55,287 --> 00:36:57,926
many years later,
he hooked up with John again,

626
00:36:57,967 --> 00:36:59,844
and the rest is history.

627
00:37:07,727 --> 00:37:12,039
l think that the show
that really focused us all on television

628
00:37:12,087 --> 00:37:13,964
was That Was The Week That Was,

629
00:37:14,007 --> 00:37:16,077
because it was an extraordinary event,

630
00:37:16,127 --> 00:37:20,837
people now can't realise
how epoch-shattering it was

631
00:37:20,887 --> 00:37:25,722
in that very deferential culture
that still existed in England.

632
00:37:25,767 --> 00:37:28,042
One you may have missed this week

633
00:37:28,087 --> 00:37:31,921
in the Radio Times, in Woman's Hour,

634
00:37:31,967 --> 00:37:36,404
What l've Been Doing, by Cecilia Bevan,
mother of 13 children.

635
00:37:38,447 --> 00:37:41,883
David Frost has always been
extremely good to me,

636
00:37:41,927 --> 00:37:44,521
l have to tell you,

637
00:37:44,567 --> 00:37:49,004
and l suppose l had enough talent,
but he saved me so much time.

638
00:37:49,047 --> 00:37:51,117
And he used to phone me
every couple of months.

639
00:37:51,167 --> 00:37:56,082
We'd stayed not exactly friends but
acquaintances, professional friends.

640
00:37:56,127 --> 00:37:59,199
And he'd set up the satire boom,
in That Was The Week That Was,

641
00:37:59,247 --> 00:38:01,556
and he's doing
this smart Cambridge satire.

642
00:38:01,607 --> 00:38:04,565
l'd written two or three things
for That Was The Week That Was,

643
00:38:04,607 --> 00:38:06,518
which was great excitement.

644
00:38:06,567 --> 00:38:09,365
And he used to ring me up,
always from the airport,

645
00:38:09,407 --> 00:38:12,922
and l remember him calling
and, ''Oh, hello, David,'' l said.

646
00:38:12,967 --> 00:38:15,925
He said, ''Hello, how are you?''
l said, ''Fine, how are you?''

647
00:38:15,967 --> 00:38:18,003
He said, ''Super, super, super, super.''

648
00:38:18,047 --> 00:38:22,359
''Oh,'' he said, ''would you like
to be in a television series?''

649
00:38:22,407 --> 00:38:25,956
And l said, ''What?'' He said,
''Well, l'm doing a new television series,

650
00:38:26,007 --> 00:38:29,443
''it's going to be super,
with Ronnie Barker and Ronnie Corbett.

651
00:38:29,487 --> 00:38:32,365
''You won't know them yet,
but it will be great fun.

652
00:38:32,407 --> 00:38:36,161
''We're going to start in the spring.
Would you like to be in it?''

653
00:38:36,207 --> 00:38:39,244
And l said, ''Yes, please!''

654
00:38:39,287 --> 00:38:43,758
And he said, ''Super! Super! Oh, l have
to go now, they've called my flight.''

655
00:38:44,807 --> 00:38:49,085
And l said, ''l think you... Did that happen?''

656
00:38:58,487 --> 00:39:03,003
Whilst the pop show in Bristol
was keeping me in funds,

657
00:39:03,047 --> 00:39:06,119
it was actually The Frost Report
which gave me,

658
00:39:06,167 --> 00:39:09,557
really, the important breakthrough
as a writer.

659
00:39:09,607 --> 00:39:12,917
So we all wrote for that.
He came to us as a pool of talent.

660
00:39:12,967 --> 00:39:17,643
And the next thing l knew,
l was rehearsing with the Ronnies.

661
00:39:17,687 --> 00:39:21,805
The entire Python team
were writing The Frost Report.

662
00:39:23,407 --> 00:39:26,080
And that's really where l knew them all

663
00:39:26,127 --> 00:39:31,599
and what made Ron and l
feel part of their outfit.

664
00:39:31,647 --> 00:39:33,319
Does it hurt you if l do this?

665
00:39:35,527 --> 00:39:37,995
- Of course it does, l mean...
- You see, it hurts.

666
00:39:38,047 --> 00:39:39,924
- Still...
- Quite. But it's not...

667
00:39:39,967 --> 00:39:41,446
No, it isn't, is it?

668
00:39:41,487 --> 00:39:44,718
What was so good about David is,
if he trusted you, he trusted you.

669
00:39:44,767 --> 00:39:46,120
He just let you get on with it.

670
00:39:46,167 --> 00:39:51,082
And you would be writing a show
that was going out live that night.

671
00:39:51,127 --> 00:39:52,879
l know what adrenaline looks like.

672
00:39:52,927 --> 00:39:55,964
l remember being in the pub,
the Sun ln Splendour, on Portobello Road,

673
00:39:56,007 --> 00:39:58,123
writing a joke, putting it in the taxi,

674
00:39:58,167 --> 00:40:00,362
going back and there it is on television.

675
00:40:00,407 --> 00:40:02,796
And l thought, ''Whoa! That was kinda cool.''

676
00:40:02,847 --> 00:40:04,246
lt was a very good experience.

677
00:40:04,287 --> 00:40:06,676
Mike and Terry wrote, usually, the piece

678
00:40:06,727 --> 00:40:10,402
that was the film insert of the week,
sort of three-minute piece,

679
00:40:10,447 --> 00:40:14,326
and Eric often wrote solos
for Ronnie Barker,

680
00:40:14,367 --> 00:40:17,962
and Gray and l usually wrote
one of the big sketches of the week

681
00:40:18,007 --> 00:40:21,795
which probably all three of us, the
Two Ronnies and l, performed together.

682
00:40:21,847 --> 00:40:25,157
What exactly were you doing
on the night of the 1 4th of October?

683
00:40:25,207 --> 00:40:27,960
We pulled some birds,
slapped 'em back to the drum,

684
00:40:28,007 --> 00:40:30,601
bit of a giggle, all down to larking,
all that carry-on.

685
00:40:30,647 --> 00:40:33,286
Now, look here.

686
00:40:33,327 --> 00:40:36,637
l can't understand a word you're saying.

687
00:40:36,687 --> 00:40:39,997
The great thing about The Frost Report,
anybody who had any good input

688
00:40:40,047 --> 00:40:43,483
could come in and work, which is why
the roller caption was so long

689
00:40:43,527 --> 00:40:45,961
and went spinning through
at an enormous rate,

690
00:40:46,007 --> 00:40:47,599
so my parents could never see my name.

691
00:40:47,647 --> 00:40:50,525
Barry Cryer, bless him,
used to refer to the writers' credits

692
00:40:50,567 --> 00:40:55,038
going through at the end of the Frost
programme as the Dead of World War 2.

693
00:40:55,087 --> 00:40:58,523
Well, it did hold on ''David Frost''
for rather a long time.

694
00:40:58,567 --> 00:41:02,560
There was no danger of David Frost's
parents being unable to see his name,

695
00:41:02,607 --> 00:41:03,801
put it that way.

696
00:41:03,847 --> 00:41:07,965
Jimmy Gilbert, who was directing
and producing the show, had pity on us,

697
00:41:08,007 --> 00:41:12,478
and started us actually performing,
we did these little film inserts.

698
00:41:12,527 --> 00:41:13,801
And he got us...

699
00:41:13,847 --> 00:41:16,202
That was a way of getting us
a bit more money.

700
00:41:16,247 --> 00:41:18,124
We got paid more for performing.

701
00:41:18,167 --> 00:41:20,123
- 50 quid a...
- Well, 20 quid, l think.

702
00:41:20,167 --> 00:41:22,886
- l don't know.
- ..a day, was it? l got 50.

703
00:41:24,247 --> 00:41:28,081
l think there was a sort of little hiatus
between David and the Python boys.

704
00:41:28,127 --> 00:41:32,279
l think they sort of resented
his entrepreneurial touch.

705
00:41:32,327 --> 00:41:37,720
We gradually began to realise that,
along with Michael Palin and Terry Jones

706
00:41:37,767 --> 00:41:42,363
and Eric ldle, we were actually writing
about 90 of the programme.

707
00:41:42,407 --> 00:41:47,401
Then they went and did
At Last The 1948 Show,

708
00:41:47,447 --> 00:41:52,601
which was the Python team, really,
with Tim Brooke-Taylor.

709
00:41:52,647 --> 00:41:55,115
lt was actually David Frost,
to give him his due,

710
00:41:55,167 --> 00:41:58,079
who suggested the show, l think to me.

711
00:41:58,127 --> 00:42:00,925
He didn't want John in it
because he was doing The Frost Report,

712
00:42:00,967 --> 00:42:03,561
but for me, it was essential that John did it.

713
00:42:03,607 --> 00:42:05,962
- Name?
- Gibbon-Posture.

714
00:42:08,567 --> 00:42:11,035
''Possible loony''.

715
00:42:12,527 --> 00:42:16,964
Tim was terrific, and terribly, terribly funny
when he was frightened.

716
00:42:17,007 --> 00:42:19,282
Right, well, what are the problems, then?

717
00:42:19,327 --> 00:42:21,761
Well, it's rather embarrassing to say, really.

718
00:42:21,807 --> 00:42:26,403
l don't like to tell people cos l'm frightened
of them laughing at me.

719
00:42:26,447 --> 00:42:28,403
Sometimes l wanted John to react more.

720
00:42:28,447 --> 00:42:32,281
Somebody told him he was a good actor,
the last thing you should tell a comedian.

721
00:42:32,327 --> 00:42:34,636
l want you to feel absolutely
at your ease.

722
00:42:34,687 --> 00:42:38,282
Of course, anything you say to me
will be in the strictest confidence.

723
00:42:38,327 --> 00:42:41,125
l must tell you about the bloke
who was in this morning!

724
00:42:41,167 --> 00:42:43,556
l said to Marty, ''He's playing it so subtly.''

725
00:42:43,607 --> 00:42:46,326
He said, ''Halfway through,
just stamp on his foot.''

726
00:42:46,367 --> 00:42:48,801
What's the matter? You come in here...

727
00:42:48,847 --> 00:42:50,917
Well, l did do that, and he got so angry,

728
00:42:50,967 --> 00:42:53,356
but he had to keep going,
because the cameras were going,

729
00:42:53,407 --> 00:42:55,238
and he was absolutely brilliant.

730
00:42:55,287 --> 00:42:57,801
l wouldn't dare do it again.
He's bigger than me.

731
00:42:57,847 --> 00:43:01,078
So will you please tell me,
once and for all,

732
00:43:01,127 --> 00:43:05,245
in God's name, what's the matter with you?

733
00:43:05,287 --> 00:43:07,676
l think l'm a rabbit.

734
00:43:07,727 --> 00:43:10,116
''l think l'm a rabbit!''

735
00:43:11,167 --> 00:43:13,681
lt's one of the funniest moments
l've ever seen.

736
00:43:17,527 --> 00:43:20,644
We must have been writing
for The Frost Report,

737
00:43:20,687 --> 00:43:23,645
and Humphrey Barclay said to me,
''l want to do a kids' show.

738
00:43:23,687 --> 00:43:26,918
''l've got this group, the Bonzo Dog Band,
l want you to write it.''

739
00:43:26,967 --> 00:43:31,836
And l said, ''Well, l want to write it with Mike,
Michael Palin and Terry Jones,

740
00:43:31,887 --> 00:43:33,445
''cos l think we'd be great.''

741
00:43:33,487 --> 00:43:36,638
And he said, ''OK, then.''
So we were a little group of writers.

742
00:43:38,047 --> 00:43:39,560
City editor?

743
00:43:39,607 --> 00:43:41,086
- l've got a great story for you.
- Oh, yes?

744
00:43:41,127 --> 00:43:42,765
- A great story.
- Let's hear it.

745
00:43:42,807 --> 00:43:45,685
Once upon a time,
in the Land of the Wobbly Dum-Dum Tree,

746
00:43:45,727 --> 00:43:48,400
Ricky the Gobbly Pixie
sat beneath the magic oak tree...

747
00:43:48,447 --> 00:43:52,281
That's enough! l'm not interested in
fairy stories! This is a newspaper.

748
00:43:52,327 --> 00:43:55,603
- Miss Perkins, show this lunatic out.
- But l haven't finished.

749
00:43:55,647 --> 00:43:58,957
Come away, ere break of day, to Fairyland!

750
00:43:59,007 --> 00:44:03,000
To the golden shores of Fairyland,
l will lead you, my...

751
00:44:03,047 --> 00:44:06,562
lt was kind of a fun show,
because we got to write it,

752
00:44:06,607 --> 00:44:09,679
it was only 23 minutes,
cos it was an lTV half-hour.

753
00:44:09,727 --> 00:44:11,922
The Bonzo Dogs were on every week,

754
00:44:11,967 --> 00:44:14,720
they were the most bizarre
group of people you've ever seen.

755
00:44:14,767 --> 00:44:16,519
There were 1 4 of them the first week,

756
00:44:16,567 --> 00:44:19,035
then they pruned themselves down
to seven or eight.

757
00:44:19,087 --> 00:44:21,999
You're wanted in the Twilight Zone now, sir.

758
00:44:22,047 --> 00:44:24,436
Thank you, Rigor.

759
00:44:39,007 --> 00:44:42,363
They said, ''Go and make
some children's television.''

760
00:44:42,407 --> 00:44:46,480
We didn't think about that, we just thought
about making silly television.

761
00:44:46,527 --> 00:44:48,518
And what a lot of fun it was.

762
00:44:53,047 --> 00:44:55,880
They play, you know,
they play the washboard

763
00:44:55,927 --> 00:44:58,202
and they play the hoover.

764
00:44:58,247 --> 00:45:03,116
And they would do really weird and bizarre
situationist songs.

765
00:45:03,167 --> 00:45:06,603
lt was Dada, really.
The Doo Dah Band was a Dada band.

766
00:45:06,647 --> 00:45:10,526
And that, l think, influenced us enormously.

767
00:45:10,567 --> 00:45:12,717
l think their influence on Python is huge,

768
00:45:12,767 --> 00:45:18,285
because we were doing
little tight little sketches from Cambridge,

769
00:45:18,327 --> 00:45:22,639
but they were doing weird,
it was situationally weird.

770
00:45:28,127 --> 00:45:29,765
l was still working on magazines

771
00:45:29,807 --> 00:45:32,401
and illustrating and art-directing,

772
00:45:32,447 --> 00:45:35,996
and l said, ''Come on.
l gotta get out of magazine work.

773
00:45:36,047 --> 00:45:38,641
''lntroduce me to somebody in television.''

774
00:45:38,687 --> 00:45:41,485
And that person, ultimately,
was Humphrey Barclay,

775
00:45:41,527 --> 00:45:43,916
who was producing Do Not Adjust Your Set,

776
00:45:43,967 --> 00:45:45,923
which Mike, Terry and Eric were doing.

777
00:45:45,967 --> 00:45:50,518
And we were on our second series,
and this weird guy came in,

778
00:45:50,567 --> 00:45:55,243
with this big...long hair, hairy Afghan coat,

779
00:45:55,287 --> 00:45:57,847
and had been sent by Cleese.

780
00:45:57,887 --> 00:46:02,358
Everybody keeps talking about the legendary
moment when l walked in with my coat.

781
00:46:02,407 --> 00:46:05,683
A man and a coat.
And Eric loved that coat.

782
00:46:05,727 --> 00:46:09,800
l fell in love at first sight.
l just loved that Afghan coat.

783
00:46:09,847 --> 00:46:12,566
And he also had a very cute girlfriend

784
00:46:12,607 --> 00:46:14,518
and there was something about him.

785
00:46:14,567 --> 00:46:17,764
And Michael and Terry went,
''We don't fucking need...''

786
00:46:17,807 --> 00:46:22,039
Like two little rodents
hunched in the corner, all...

787
00:46:22,087 --> 00:46:25,124
You know, their little bit of territory
was threatened

788
00:46:25,167 --> 00:46:26,998
by this man in the coat.

789
00:46:29,127 --> 00:46:33,200
And l don't know why,
l knew there was something about him,

790
00:46:33,247 --> 00:46:34,999
and we brought him into our group.

791
00:46:35,047 --> 00:46:38,357
He hadn't done any experience,
hadn't written sketches,

792
00:46:38,407 --> 00:46:42,719
he'd got a few sketches he'd written
which weren't very funny,

793
00:46:42,767 --> 00:46:46,680
but for some wonderful,
weird, instinctive reason,

794
00:46:46,727 --> 00:46:48,922
l said, ''He has to be with us.''

795
00:46:48,967 --> 00:46:51,606
And that was really how it all began,

796
00:46:51,647 --> 00:46:54,480
and then the next series
of Do Not Adjust Your Set,

797
00:46:54,527 --> 00:46:59,203
l started doing some animation on that.
We were all stuck together by then.

798
00:46:59,247 --> 00:47:02,876
As far as l was concerned,
we've all got different versions, of course,

799
00:47:02,927 --> 00:47:07,125
Graham and l were writing,
for about 18 months, we just wrote,

800
00:47:07,167 --> 00:47:10,125
cos l'd just married Connie Booth,
she was American,

801
00:47:10,167 --> 00:47:13,000
l did not want to be spending
a lot of time in a studio

802
00:47:13,047 --> 00:47:15,277
when she was a stranger in London.

803
00:47:15,327 --> 00:47:18,524
So l deliberately worked from home
for a year and a half,

804
00:47:18,567 --> 00:47:20,876
and Gray and l wrote a number of scripts.

805
00:47:20,927 --> 00:47:23,157
Our treat for the week
was always to turn on,

806
00:47:23,207 --> 00:47:25,721
l think it was Thursday afternoon,
about 4:30,

807
00:47:25,767 --> 00:47:29,680
Do Not Adjust Your Set, which,
for us, was the funniest thing on television.

808
00:47:29,727 --> 00:47:31,206
lt's time for Party Games.

809
00:47:31,247 --> 00:47:34,398
Here are some exciting games
you can play this Christmas.

810
00:47:34,447 --> 00:47:37,837
First, from Terry, here's the A and B game.

811
00:47:37,887 --> 00:47:40,799
Well, all the teams are divided -
guests, l should say -

812
00:47:40,847 --> 00:47:42,803
are divided into two teams, A and B.

813
00:47:42,847 --> 00:47:43,996
And B are the winners.

814
00:47:45,447 --> 00:47:48,405
Well, you can make it
more complicated if you want to.

815
00:47:48,447 --> 00:47:51,644
We'd done two series
of Do Not Adjust Your Set.

816
00:47:51,687 --> 00:47:54,360
There was discussion
about doing another series.

817
00:47:54,407 --> 00:47:58,002
l didn't want to do it, cos l was fed up
with the way it was being directed.

818
00:47:58,047 --> 00:48:01,835
Eventually, because we knew them
from The Frost Report,

819
00:48:01,887 --> 00:48:05,436
we rang them up and said, ''Well,
why don't we do something together?''

820
00:48:05,487 --> 00:48:07,205
And they were a bit snotty,

821
00:48:07,247 --> 00:48:10,922
cos they'd just had an offer from
Philip Jones at Thames Television.

822
00:48:10,967 --> 00:48:13,561
They said, ''You've been so good,
done two seasons,

823
00:48:13,607 --> 00:48:17,680
''adults are coming home at 5:25 to see
your show, you're getting huge ratings,

824
00:48:17,727 --> 00:48:19,604
''we want to give you a grown-up show.

825
00:48:19,647 --> 00:48:22,525
''The only trouble is,
we have no studio for two years.''

826
00:48:22,567 --> 00:48:26,924
So when John suggested doing something
together, we said, ''Yes, please!''

827
00:48:26,967 --> 00:48:30,562
And, ''Can we bring Eric along?
And Terry Gilliam?''

828
00:48:30,607 --> 00:48:32,563
John wanted to work with Mike.

829
00:48:32,607 --> 00:48:35,804
And it's as simple as that.
Everybody wanted to work with Mike.

830
00:48:35,847 --> 00:48:38,964
And that was the beginning,
and we tagged along.

831
00:48:39,007 --> 00:48:42,556
And l think it's really happenstance
that that group came together.

832
00:48:42,607 --> 00:48:45,440
l don't think it was hand-picked
or selected in any way.

833
00:48:45,487 --> 00:48:49,241
lt sort of fell onto the table and it worked.

834
00:49:38,727 --> 00:49:40,001
lt's...


